Eine Fotografie der Performance "Erste Schritte zu den Schwellen" von Zwoisy Mears-Clarke, die im Hofgarten stattfand. Im Vordergrund laufen fünf Performer*innen nebeneinander über einen Weg, der von Bäumen umgeben ist. Sie tragen Kostümen aus fließenden Stoffen und Masken, die ebenfalls aus Stoffen bestehen. Ihre Arme sind ineinander eingehakt. Im Hintergrund ist eine Gruppe von Personen, die der Performance beiwohnt und den Weg der Performer*innen verfolgt. Zwei der Personen tragen einen Langstock.

Topic

Laboratory for Creative Audio Description

Community of Reception by Fia/Sophia Neises and Zwoizy Mears-Clarke

The Laboratory for Creative Audio Description began in April 2023. It addresses members of the blind and visually impaired community and people from North Rhine-Westphalia who are interested in audio description for dance or aesthetic accessibility, respectively. The aim of the laboratory lies in furthering the creative development of audio description for dance. Here, audio description is fostered as a tool for participation and an integral component of art, conveyed as a diverse and experimental practice. Another important aspect lies in social gatherings which may reduce uncertainties on all sides. Workshops and meetings incorporating performance visits take place regularly. The group also collects (critical) feedback on barriers and accessibility issues at tanzhaus nrw on these occasions.
The offer has been designed and is managed by Fia/Sophia Neises and Zwoisy Mears-Clarke. Participants from different fields and backgrounds are part of the laboratory: blind and visually impaired tanzhaus nrw audiences, blind and visually impaired artists and dramaturges as well as sighted North Rhine-Westphalian artists who are interested in audio description and inclusive aesthetics.

Programme 2026

It’s that time again: The Laboratory for Creative Audio Description for Dance opens its doors. And as always, we invite you to join us. This lab is a space for artistic practice, collective learning and collaboration that centres the perspectives of blind and visually impaired people.

At tanzhaus nrw, a Community of Reception, alongside researchers and artists, will continue to develop dance shaped by a plethora of perception styles under the direction of Sophia/Fia Neises and Zwoisy Mears-Clarke. The core focus of the community is audio description as an artistic practice that brings together movement, language and sound, to open up new ways of experiencing dance.

From June to October 2026, the Laboratory will focus on artistic production and collective experimentation. Dance artists with a range of sight levels will work together in teams to develop short pieces. The multitude of perception styles becomes the starting point for artistic processes. Audio description is a central part of these processes, shaping how movement emerges, is described, and is experienced. The resulting short pieces will be presented at tanzhaus nrw and invite blind, visually impaired, and sighted audiences to encounter dance in new ways.

The second focus lies in connecting dance with club culture. Through the interplay of audio description, music, and MCing, we experiment and develop new formats that shift the dancefloor to a shared space that decentres sight. Central questions include: how collective experience, rhythm, and a sense of proximity can be created and what aesthetic strategies emerge from this? How do we connect within a space? How can a shared rhythm be felt?

The Laboratory for Creative Audio Description sees itself as a space for exchange, learning and artistic development. It centres the perspectives of blind and visually impaired people within dance and works to dismantle barriers – artistically and structurally. In doing so, it fosters new forms of collaboration and new ways of accessing dance.

New in 2026

 We bring together a workshop, artistic labs and productions, and dance parties:
 – Development of short dance pieces in small teams and their public presentation
 – Lab bringing together creative audio description and MCing

 – A dancefloor that is welcoming and decenters sightedness

Our Wish

Dance as spaces where people with a variety of perception styles can come together to imagine, create, and collaborate.

How We Work Together

 We shape the space collectively. This means:
 – You decide what you need and can share this with the group at any time
 – Asking questions, experimenting and being not yet convinced are explicitly welcome
 – Support is offered when asked for, not assumed
 – We use language that is mindful of discrimination and the dynamics of privilege
 – We understand feedback as part of a shared learning process
 – Mistakes can happen; what matters is being accountable in those moments

Whether you have taken part before or are joining for the first time, we look forward to welcoming you.

Eine Gruppe von Personen befindet sich in einem Studio des tanzhaus nrw. Sie sitzen in einem Kreis auf dem Boden, auf Yogamatten oder Sitzsäcken.

SAVE THE DATE – first Workshop: 20 & 21 June 2026

We welcome blind and visually impaired participants; dance artists, dancers, performers, audio describers, and dramaturgs with any sight level; and anyone interested in aesthetics of access and collaborative processes.

What To Expect

 – Collective exploration of dance and audio description as an artistic practice
 – Exchange between people with different perception styles

– Time to develop your own ways of working with movement, descriptive language and sound
 – A space to meet, connect and collaborate

Fia/Sophia Neises is a white, queer, visually impaired performer, dramaturge, theatre educator and disabled people’s rights activist She works inclusively as a choreographer and dancer for stage pieces and, time and again, as a dramaturge for visually impaired and blind audiences. Zwoisy Mears-Clarke views themself as a choreographer of encounters. This reflects both Zwoisy's approach as a Black queer choreographer and as a community organiser, as well. Since the beginning of Zwoisy's career, Zwoisy has been developing dance pieces for an audience of visually impaired, blind as well as sighted people, employing an intersectional approach. Fia/Sophia Neises & Zwoisy Mears-Clarke have been working together since 2016. They continuously share their knowledge and experience with dance artists and members of the visually impaired and blind community and continue their research jointly together with them.

Regular contributors to the laboratory include: Agnes Kappaun, Alexander Panevin, Andrea Eberl, Britta Van Hall, Camilla Moitroux-Fusshoeller, Fabian Lilian Korner, Melanie Hambrecht, Nismiye Önder, Sabine Kuxdorf, Traugott Sobiech, Yasha Müller.

Audio contributions

Research Area Audio Description – Creating A Dance Experience For Everyone.

An audio contribution about the Laboratory for Creative Audio Description at tanzhaus nrw, a community of reception by Fia Neises and Zwoisy Mears-Clarke

Amy Zayed, cultural journalist from Cologne, retraced the steps of the Laboratory for Creative Audio Description for dance, launched in April 2023, meeting the two directors Fia Neises and Zwoisy Mears-Clarke. What is the research being conducted in this laboratory? What are the results and findings? And what is happening next? Apart from the project’s two heads, Amy Zayed will also talk to participants Sabine Kuxdorf and Thaddäus Maria Jungmann. The two dance creators from North Rhine-Westphalia met in the Laboratory for Creative Audio Description and are now developing audio descriptions for dance performances at tanzhaus nrw in tandem together. 

By & featuring: Cultural journalist: Amy Zayed; Sound Design: Katrin Meier; Speakers: Thaddäus Maria Jungmann, Sabine Kuxdorf, Zwoisy Mears-Clarke, Sophia/Fia Neises

Contact: Lucie Ortmann, dramaturgie@tanzhaus-nrw.de

Audio Descriptions at tanzhaus nrw

Audio descriptions have been developed at tanzhaus nrw, starting in December 2024, by a tandem formed as part of the Laboratory for Creative Audio Description. The tandem of Sabine Kuxdorf and Thaddäus Maria Jungmann explores the forms of expression in as well as the facets and limits of audio description. In the spirit of the aesthetics of access, the two descriptors – instead of adding the audio description afterwards – enter the exchange with the choreographers already during the rehearsal process. Their style of artistic audio description reaches beyond the classic, neutral translation of visual information, encompassing experiments with language and enables blind and visually impaired audiences to access the respective pieces both sensually and atmospherically, via their headphones.

Portraitfoto von Sabine Kuxdorf.

Sabine Kuxdorf

Sabine Kuxdorf is a social worker based in Cologne. She gathered her first dance experience as part of the piece Collisions Interdites by DIPHTONG KOLLEKTIV, in which she performed in 2022. She is blind and works as a performer and consultant in the field of access dramaturgy and participation in theatre and dance productions in North Rhine-Westphalia, including with Khadidiatou Bangoura and the Sticky Fragments Physical

Portraitfoto von Thaddäus Maria Jungmann

Thaddäus Maria Jungmann

Thaddäus Maria Jungmann lives as a freelance performer in Cologne. In her own artistic practice, she deals with the agency of objects in relation to her own queer body. As a journalist, she came upon audio description through writing about dance. She is currently conducting research in the field of artistic audio description in the Master's programme in Dance Studies at the Cologne University of Music and Dance.

 

Our upcoming events with creative audio description

Thu 30.04.2026

On Thursday, April 30, Elsa Artmann / SANFTE ARBEIT presents A Change is as Good as a Rest. The peformance starts at 8pm and lasts 70 minutes.

Click HERE to go to the event page.

The Laboratory for Creative Audio Description is funded in 2026 by the Ministry of Culture and Science of the State of North Rhine-Westphalia. Parts of the project have so far been supported by the Alliance of International Production Houses, Kunststiftung NRW within the framework of the project MAY I HUG YOU, and the Norbert Lammert Foundation.